tag:blogger.com,1999:blog-41527223273274657292024-03-13T15:00:36.265-07:00Experimento NoirBlog sobre o cinema noir, experimentações e apropriações do estilo.Sandrixhttp://www.blogger.com/profile/09064579519755912416noreply@blogger.comBlogger395125tag:blogger.com,1999:blog-4152722327327465729.post-37330720510884191912016-05-27T15:07:00.000-07:002016-05-27T15:07:14.601-07:008 Clássicos Noir de HorrorO blog BloodDisgusting relaciona os 8 clássicos noir com uma dose de horror que todo fã deveria conhecer.<br /><br />Stranger on the Third Floor, de 1940, é um dos meus favoritos e que faz parte dessa lista de arrepiar.<br />
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E aí, qual o seu favorito? Confira em: http://bloody-disgusting.com/editorials/3380375/3380375/<br />
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<br />Sandrixhttp://www.blogger.com/profile/09064579519755912416noreply@blogger.com0tag:blogger.com,1999:blog-4152722327327465729.post-54639627577954751002015-12-05T12:34:00.000-08:002015-12-05T12:47:14.670-08:0005 de Dezembro - Aniversário de Fritz Lang<div class="separator" style="clear: both; text-align: center;">
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<span style="font-family: "trebuchet ms" , sans-serif; line-height: 19.32px;">Fritz Lang (1890/1976)</span></div>
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<span style="line-height: 19.32px;"><span style="font-family: "trebuchet ms" , sans-serif;">Impossível ignorar esta célebre data, quando há 125 atrás nascia o austríaco Fritz Lang. De estudante de pintura a escritor, produtor e diretor de cinema, suas obras ficaram registradas na história e nas mentes dos amantes do cinema.</span></span></div>
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<span style="line-height: 19.32px;"><span style="font-family: "trebuchet ms" , sans-serif;">ainda que se faça uma associação imediata com o clássico e icônico Metrópolis, Lang possui uma vasta filmografia, carregada da influência expressionista e cheia da dramaticidade teatral, com tomadas que refletem sua origem nas artes.</span></span></div>
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<span style="line-height: 19.32px;"><span style="font-family: "trebuchet ms" , sans-serif;">O blog BFI Filme Forever destaca uma seleção dos 10 essesciais de Fritz Lang, com indicações como M (1931), The Woman in the Window (1944) e While the City Sleeps (1956). </span></span><a href="http://www.bfi.org.uk/news-opinion/news-bfi/lists/fritz-lang-10-essential-films" rel="nofollow" style="color: #3b5998; cursor: pointer; text-decoration: none;" target="_blank">http://www.bfi.org.uk/…/news-bfi/lists/fritz-lang-10-essent…</a></div>
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<span style="font-family: "trebuchet ms" , sans-serif;"><span style="line-height: 19.32px;">Comemorem o aniversário de Fritz Lang apreciando uma de suas obras.</span><span style="color: #141823; line-height: 19.32px;"> </span></span><br />
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<br />Sandrixhttp://www.blogger.com/profile/09064579519755912416noreply@blogger.com0tag:blogger.com,1999:blog-4152722327327465729.post-31029996117232848122015-08-26T07:57:00.000-07:002015-08-26T07:57:24.780-07:00Entrevista com Stephen Bogart para o Film Noir Foundation<div style="font-family: helvetica, arial, sans-serif; font-size: 14px; line-height: 19.31999969482422px; margin-bottom: 6px;">
<span style="background-color: #444444;"><span style="color: white;">O Film Noir Foundation (http://www.filmnoirfoundation.org/home.html) reúne vídeos do gênero e hoje<br />vamos assistir à entrevista com Stephen Bogart, filho dos ícones Humphrey Bogart e Lauren Bacall,<br />falando de Dark Passage e This Last Lonely Place, considerado um neo noir.<br />Assistam (vídeo dividido em 2 partes):<br /><br />http://www.filmnoirfoundation.org/video.html</span></span></div>
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Sandrixhttp://www.blogger.com/profile/09064579519755912416noreply@blogger.com0tag:blogger.com,1999:blog-4152722327327465729.post-37027158920569742062015-06-28T13:21:00.001-07:002015-06-28T13:21:22.779-07:00Homens maus do Noir, via Pretty Clever Films<h1 class="title" style="background-color: white; border: 0px; font-family: Oswald, Arial, sans-serif; font-size: 30px; font-weight: 400; letter-spacing: -1px; line-height: 36px; margin: 0px 0px 30px; outline: 0px; padding: 0px; vertical-align: baseline; width: 529.1875px;">
Top 5 Film Noir Bad Guys</h1>
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O blog Pretty Clever Films elegeu os 5 caras maus do Noir que mais se destacaram no gênero,</div>
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ressaltando a linha tênue entre quem é o bom ou mau - será que há de fato espaço para mocinhos e bandidos nas negras e conflitantes situações na filmografia noir? - sendo porém o mau alguém de quem não se tem dúvidas das más intenções.</div>
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Entre os bastardos e terrivelmente maus protagonistas destacam-se nome como o memorável <b>Capitão Hank Quinlan (Orson Welles)</b> no clássico <i><b>Touch of Evil</b></i>, e o psicopata <b>Tommy Udo (Richard Widmark) </b>em <b><i>Kiss of Death</i></b>.</div>
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Senti falta de alguns nomes como Peter Lorre em Strange of the Third Floor (1940), Lawrence Tierney em Born to Kill (1947) e Emmet Myers (William Talman), em The Hitch-Hiker (1953).</div>
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Acompanhem a seleção e vejam se sentiram falta de algum Bad Guy Noir. Vem pra comentar com a gente.</div>
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http://prettycleverfilms.com/movie-lists/top-5-film-noir-bad-guys/</div>
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Sandrixhttp://www.blogger.com/profile/09064579519755912416noreply@blogger.com0tag:blogger.com,1999:blog-4152722327327465729.post-41472704755647309012014-12-30T12:08:00.000-08:002014-12-30T12:12:28.396-08:00Humberto Eco e a eterna dúvida quanto ao gênero noir<span style="font-family: Verdana, sans-serif;">De Nero (Wolfe) ao 'noir'</span><br />
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<span style="font-family: Verdana, sans-serif;">Matéria escrita sobre Humberto Eco sobre o noir.</span><br />
<span style="font-family: Verdana, sans-serif;">UOL Notícias - 30/12/2014</span><br />
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<span style="background-color: #666666; font-family: Verdana, sans-serif;">Humberto Eco parece não acreditar que exista o noir. Ele faz um paralelo sobre <span style="font-size: 16px; line-height: 24px;">os romances policiais clássicos com personagens lendários como Sherlock Holmes, Hercule Poirot, Nero Wolfe e outros, que em nada se comparam ao estilo noir, que seria uma ruptura da elegância dos primeiramente citados para algo que reflete uma sociedade doente.</span></span><br />
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<span style="background-color: #666666; font-family: Verdana, sans-serif;">A conclusão é um tanto de negação do gênero e sua dúvida sobre seu significado:</span><br />
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<span style="font-family: Verdana, sans-serif;">"I<span style="font-size: 16px; line-height: 24px;">ndependentemente dos temas e do estilo associado ao 'noir', o gênero é, em grande parte, apenas uma construção comercial com um nome francês mais refinado. Consequentemente, muitos livros que não são realmente do gênero acabam nos bolsos de nossos casacos. E eu ainda estou tentando descobrir o que é exatamente um 'noir'."</span></span></span><br />
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<span style="color: #333333; font-size: 16px; line-height: 24px;"><span style="font-family: Verdana, sans-serif;">E você, concorda com as divagações deste escritor?</span></span></span><br />
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<span style="color: #333333; font-family: Verdana, sans-serif;"><span style="line-height: 24px;">Para ver a matéria na íntegra, acesse:</span></span></span><br />
<span style="background-color: #666666; font-family: Verdana, sans-serif;">http://noticias.uol.com.br/blogs-e-colunas/coluna/umberto-eco/2014/12/30/de-nero-wolfe-ao-noir.htm</span><br />
<span style="color: #333333; font-family: UOLText, arial, verdana, sans-serif;"><span style="background-color: white; line-height: 24px;"><br /></span></span>Sandrixhttp://www.blogger.com/profile/09064579519755912416noreply@blogger.com0tag:blogger.com,1999:blog-4152722327327465729.post-25010856734741960132014-05-19T17:35:00.000-07:002014-05-19T17:35:27.515-07:0025 filmes Noirs e Neonoirs você provavelmente não viu <div class="separator" style="clear: both; text-align: center;">
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Brian White reuniu no blog Tast of Cinema uma lista de filmes noir e neo-noir, em sua maioria da década de 60 a frente - exceto <span style="background-color: white; font-family: Helvetica; font-size: 20px; line-height: 20px;">Elevator to the Gallows </span>de 57, já publicado em nosso blog - que supostamente<br />os amantes do gênero possam desconhecer.<br />
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Confesso que alguns me trouxeram a curiosidade por não ter ouvido falar ou mesmo não ter visto.<br />
<span style="background-color: white; font-family: Helvetica; font-size: 20px; line-height: 20px;">Insomnia, </span><span style="background-color: white; font-family: Helvetica; font-size: 20px; line-height: 20px;">Alphaville </span>e <span style="background-color: white; font-family: Helvetica; font-size: 20px; line-height: 20px;">Night and the City </span>do grande Jules Dassin são alguns dos<br />
títulos citados.<br />
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O interessante é a mistura de nacionalidades, não se limitando ao cinema norte-americano. Títulos<br />dirigidos por europeus e dois deles de origem oriental - <span style="background-color: white; font-family: Helvetica; font-size: 20px; line-height: 20px;">Pale Flower (Masahiro Shinoda, 1964) | </span><span style="background-color: white; font-family: Helvetica; font-size: 20px; line-height: 20px;">A Colt Is My Passport (</span><span style="background-color: white; font-family: Helvetica; font-size: 20px; line-height: 20px;">Takashi Nomura, 1967) - </span>completam a lista de boas sugestões para explorar o espaço noir.<br />
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Eu certamente vou começar a buscar e em seguida comentar aqui no blog, apesar do longo tempo de distância.<br />
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Por enquanto, aproveitem e explorem as dicas e breves comentários sobre os 25 títulos muito bem selecionados por Brian.<br />
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Fonte: http://www.tasteofcinema.com/2014/25-film-noirs-and-neonoirs-you-probably-havent-seen/Sandrixhttp://www.blogger.com/profile/09064579519755912416noreply@blogger.com0tag:blogger.com,1999:blog-4152722327327465729.post-784371790946565832013-10-03T14:46:00.000-07:002013-10-03T14:48:43.695-07:00 Døden er et kjærtegn - 1949<span style="font-family: Arial, Helvetica, sans-serif;">Døden er et kjærtegn - 1949</span><br />
<span style="font-family: Arial, Helvetica, sans-serif;">1h28 - Noruega</span><br />
<span style="font-family: Arial, Helvetica, sans-serif;">Drama | Romance</span><br />
<span style="font-family: Arial, Helvetica, sans-serif;">Diretor: Edith Carlmar</span><br />
<span style="font-family: Arial, Helvetica, sans-serif;">Estrelando: Claus Wiese, Bjorg Riiser-Larsen, Ingolf Rogde</span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;">http://www.imdb.com/title/tt0136099/</span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;">Filme dos anos 40 de origem norueguesa, e, segundo pesquisas, parece que numa época em que o cinema norueguês tinha pouca atividade e relevância, mas este parece impressionar.</span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;">Erik Hauge, mecânico de automóveis, envolve-se com uma mulher casada em que o marido e homem de negócios está fora, viajando. O romance cresce e vemos como tema principal da trama o ciúme e a obscessão.</span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;">A recepção de público e crítica foi negativa por considerar os temas abordados um escândalo para a época, sendo boicotado, além de o diretor receber ameaças de morte.</span><br />
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Sandrixhttp://www.blogger.com/profile/09064579519755912416noreply@blogger.com0tag:blogger.com,1999:blog-4152722327327465729.post-13343120366439638732013-09-15T11:47:00.001-07:002013-09-15T11:48:53.641-07:00Setembro com retrospectiva Noir no Hollywood Theatre, em Portland.<div class="separator" style="clear: both; text-align: center;">
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<span style="font-family: Arial, Helvetica, sans-serif;">Este mês, o presidente e fundador do <b><i>Film Noir Foundation</i></b> Eddie Muller, faz uma retrospectiva de filmes noir em Portland, exaltando toda a beleza e relevância do<br />gênero em três dias de evento.</span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;">No site <i><b>oregonlive.com</b></i> encontramos a matéria em que Muller descreve um pouco sua<br />visão do noir e o sucesso da mostra:</span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;">"De todos os gêneros de filmes clássicos, o noir continua a ser o mais relevante e válido", diz Muller. "Eu não acho que você vai ver as pessoas fazendo fila para retrospectivas sobre Westerns e comédias... o noir mantém uma atração que os outros não o tem."</span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;">"Muller acredita que as pessoas estão fazendo fila para ver esses filmes por causa do estilo e um novo interesse da iconografia de meados do século 20, suas músicas e roupas. "É como se ele pulou uma geração. Onde a idéia era se rebelar contra seus pais, agora há uma geração, dizendo: 'Cara, meus avós eram muito legais.".</span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;">Sobre o noir, Muller diz: "</span><span style="font-family: Arial, Helvetica, sans-serif;">Para se qualificar como noir, um filme deve ser do ponto de vista do criminoso, você deve ter empatia para com o malfeitor." É uma filosofia que veio após vários romances e obras de não-ficção, décadas de pesquisa e um caso de amor com a vida do gênero.</span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;">Entre os filmes selecionados para a retrospectiva estão <i>Sleep My Love</i> (1948), <i>The Come On</i> (1956), </span><span style="font-family: Arial, Helvetica, sans-serif;"><i>Repeat Performance</i> (1947) e The Great Gatsby (1949).</span><br />
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<a href="http://4.bp.blogspot.com/-J-zOXbZopWQ/UjYAOdioA8I/AAAAAAAAHBs/4PZ4dXLERUU/s1600/Eddie_Muller_1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="240" src="http://4.bp.blogspot.com/-J-zOXbZopWQ/UjYAOdioA8I/AAAAAAAAHBs/4PZ4dXLERUU/s320/Eddie_Muller_1.jpg" width="320" /></a></div>
<span style="font-family: Arial, Helvetica, sans-serif;">Eddie Muller arremata a entrevista com um paralelo entre o filme A e B:</span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;">"Filmes A são a cultura em seu melhor comportamento. Ele é o melhor que pode ser. Considerando que, com filmes B,... isso é o que somos."</span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;">Leia na íntegra (em inglês):</span><br />
<span style="font-family: Arial, Helvetica, sans-serif;">Fonte: http://www.oregonlive.com/movies/index.ssf/2013/09/noir_city_film_series.html</span><br />
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<br />Sandrixhttp://www.blogger.com/profile/09064579519755912416noreply@blogger.com0tag:blogger.com,1999:blog-4152722327327465729.post-87377762676979210642013-09-14T13:14:00.000-07:002013-09-14T13:14:49.444-07:00Cartazes Ma Barker's Killer Brood, 1960<div class="separator" style="clear: both; text-align: center;">
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Sandrixhttp://www.blogger.com/profile/09064579519755912416noreply@blogger.com0tag:blogger.com,1999:blog-4152722327327465729.post-68539575559155806382013-09-14T13:11:00.001-07:002013-09-14T13:11:25.020-07:00Ma Barker's Killer Brood, 1960<div style="text-align: center;">
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<span style="font-family: Arial, Helvetica, sans-serif;">Ma Barker's Killer Brood - 1960</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">82 min - USA</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Crime | Drama</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Diretor: Bill Karn</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Estrelando: Lurene Tuttle, Tristan Coffin, Paul Dubov</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">http://www.imdb.com/title/tt0054041/</span></div>
<br /><iframe allowfullscreen="" frameborder="0" height="315" src="//www.youtube.com/embed/5ids_QY6Fms" width="420"></iframe>Sandrixhttp://www.blogger.com/profile/09064579519755912416noreply@blogger.com0tag:blogger.com,1999:blog-4152722327327465729.post-35216460183115953932013-08-27T12:12:00.000-07:002013-08-27T12:13:07.169-07:00The Devil Thumbs a Ride (1947)<div class="separator" style="clear: both; text-align: left;">
<span style="font-family: Arial, Helvetica, sans-serif;">The Devil Thumbs a Ride (1947)</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">62min - USA</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Film Noir | Drama</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Diretor: Felix E Feist</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Estrelando: Lawrence Tierney, Ted North, Nan Leslie</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">http://www.imdb.com/title/tt0039317/</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Filme on-line via OVGuide:</span></div>
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http://www.ovguide.com/the-devil-thumbs-a-ride-9202a8c04000641f8000000000ab8ae6</div>
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Sandrixhttp://www.blogger.com/profile/09064579519755912416noreply@blogger.com0tag:blogger.com,1999:blog-4152722327327465729.post-27644338750791762372013-06-08T07:01:00.004-07:002013-06-08T07:01:29.582-07:00Cartazes The Enforcer, 1951<span style="font-family: Arial, Helvetica, sans-serif;">Esse é o momento em que me delicio com a variedade de cartazes vindos de várias partes do mundo para divulgação deste filme que tem mais uma vez Bogart como protagonista.<br />Aproveitem esse festival de artes.</span><br />
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<br />Sandrixhttp://www.blogger.com/profile/09064579519755912416noreply@blogger.com0tag:blogger.com,1999:blog-4152722327327465729.post-45454180692047033532013-06-02T15:38:00.000-07:002013-06-02T15:42:35.125-07:00The Burglar - 1957<div style="text-align: center;">
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<span style="font-family: Arial, Helvetica, sans-serif;">The Burglar - 1957</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">90 min - USA</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Filme Noir | Thriller | Drama</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Diretor: Paul Wendkos</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Estrelando: Dan Duryea, Jayne Mansfield, Martha Vickers</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">http://www.imdb.com/title/tt0049035/</span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;">Dirigido por Paul Wendkos e baseado </span><span style="text-align: center;"><span style="font-family: Arial, Helvetica, sans-serif;">no romance de David Goodis</span></span><span style="font-family: Arial, Helvetica, sans-serif;">, o filme é conhecido pelos ângulos inusitados e iluminação pouco comum, partindo para uma técnica considerada mais artística, o que parece ter causado estranheza para alguns expectadores.</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">A história é sobre assaltantes de jóias, com </span><span style="text-align: center;"><span style="font-family: Arial, Helvetica, sans-serif;">Nat Harbin (Dan Duryea) como o líder do grupo, acompanhado de outros 3 especialistas na arte do crime, </span></span><span style="font-family: Arial, Helvetica, sans-serif;">além da estranha relação quase incestuosa entre Nat e Lis, a menina que foi filha do homem que tomou Nat então órfão para criar, ensinando-lhe as artimanhas da vida como assaltante de jóias, posição esta que o faz ser uma espécie de protetor de Lis.</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Uma cena muito bem feita, que lembra o memorável Rififi, é quando Nat está com os comparsar em pleno roubo, e quando a polícia passa por perto do local, ele vem convencê-la de que trata-se apenas de seu carro quebrado, podendo em seguida retornar para finalizar o serviço.</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Della, uma mulher com quem Nat se envolve e parece sentir que este seria o momento de abandonar sua vida de crime, irá em seguida descobrir de seu envolvimento com um policial que planeja tomar seu ganho no roubo, ao contrário do cumprimento da lei.</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Na fuga para Atlantic City, tiroteio e perseguições esquentam a trama, e mais a frente teremos um final fatal acompanhado de punição do policial corrupto.</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">O filme é deslumbrante e ambicioso. Destaques para a</span><span style="font-family: Arial, Helvetica, sans-serif;"> atuação de </span><span style="text-align: center;"><span style="font-family: Arial, Helvetica, sans-serif;">Duryea, com um trabalho admirável de evocar a agitação interna enfrentada por Nat, além de </span></span><span style="text-align: center;"><span style="font-family: Arial, Helvetica, sans-serif;">Jayne </span></span><span style="font-family: Arial, Helvetica, sans-serif;">Mansfield </span><span style="font-family: Arial, Helvetica, sans-serif; text-align: center;">valorizar seu papel passando a sensação de impotência e confusão - por ser dependente da presença de Nat - que Gladden tem no romance.</span></div>
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Sandrixhttp://www.blogger.com/profile/09064579519755912416noreply@blogger.com0tag:blogger.com,1999:blog-4152722327327465729.post-73417362086360946182013-05-26T15:28:00.001-07:002013-06-02T15:00:16.129-07:00The Narrow Margin - 1952<span style="font-family: Arial, Helvetica, sans-serif;">The Narrow Margin (Rumo ao Inferno) - 1952</span><br />
<span style="font-family: Arial, Helvetica, sans-serif;">71 min - USA</span><br />
<span style="font-family: Arial, Helvetica, sans-serif;">Filme Noir | Thriller</span><br />
<span style="font-family: Arial, Helvetica, sans-serif;">Diretor: Richard Fleischer</span><br />
<span style="font-family: Arial, Helvetica, sans-serif;">Estrelando: Charles McGraw, Marie Windsor, Jacqueline White</span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;">http://www.imdb.com/title/tt0044954/</span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;">Uma viúva de um mafioso resolve testemunhar contra a máfia e precisará de proteção de seus assassinos no trajeto da viagem de trem de Chicago a Los Angeles, tarefa atribuída a Walter Brown e seu parceiro. </span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Três bandidos tentam eliminá-la, porém desconhecendo de fato o alvo, o que fará com que cometam o assassinato de outros passageiros como uma mulher que tratava-se de uma agente disfarçada. A partir de então, a caçada ente policiais e assassinos começam seu jogo mortal.</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Ainda baixando via Torrent para assistir ao filme. Pelo que li em algumas pesquisas e é reforçado na Wikipedia "...<span style="background-color: white; line-height: 19.1875px;">o filme é considerado, sucessivamente, como um dos melhores da história da RKO</span><span style="background-color: white; line-height: 19.1875px;">,</span><span style="background-color: white; line-height: 16px;"> </span><span style="background-color: white; line-height: 19.1875px;">um dos melhores filmes B </span><span style="background-color: white; line-height: 19.1875px;">já feitos,</span><span style="background-color: white; line-height: 16px;"> </span><span style="background-color: white; line-height: 19.1875px;">e ainda, por alguns, como o melhor filme de baixo orçamento de todos os tempos.</span><span style="background-color: white; line-height: 16px;">"</span></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><span style="line-height: 16px;">De cara achei que o filme tem uma bela fotografia. Abaixo o trailer até que eu possa oferecer meu parecer a respeito.</span></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">...e após assistir, lá vão minhas observações. O filme possui vários detalhes do noir, em especial o detetive, ou nesse caso, o policial guarda-costas linha dura, incorruptível e que mostra em palavras e atitudes desprezar a mulher a quem foi designado proteger e levar sã e salva ao tribunal para depor, por tratar-se da mulher de um mafioso. Esta é uma bela e esperta, aparentemente a femme fatale que não aceita a atitude de Brown, devolvendo-lhe as ofensas na mesma moeda.</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Enquanto tenta manter a suposta viúva a salvo, passando pelos mais diversos perigos entre homens que seguem viagem no trem a fim de matar a testemunha, Brown irá conhecer uma bela loira com seu filho, e logo percebe-se que um envolvimento está por acontecer entre eles.</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Sem dúvida, a fotografia com seus ângulos, contrastes e fumaça criam um instigante cenário - mesmo quase todo o tempo no interior do trem -, a dinâmica das cenas e diálogos<br />mostra uma trama interessante, desta vez finalizando sem tragédias que marcam o gênero.</span></div>
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Sandrixhttp://www.blogger.com/profile/09064579519755912416noreply@blogger.com0tag:blogger.com,1999:blog-4152722327327465729.post-53905016642895770802013-05-26T14:55:00.003-07:002013-05-26T14:55:32.635-07:00Cartazes The Narrow Margin - 1952<div class="separator" style="clear: both; text-align: center;">
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Sandrixhttp://www.blogger.com/profile/09064579519755912416noreply@blogger.com0tag:blogger.com,1999:blog-4152722327327465729.post-37511868823811139612013-05-25T11:02:00.002-07:002013-05-25T11:02:32.628-07:00Bob le Flambeur, 1956<div style="text-align: left;">
<span style="font-family: Arial, Helvetica, sans-serif;">Bob le Flambeur, 1956</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">98 min - França</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Crime</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Diretor: Jean Pierre Melville</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Estrelando: Isabelle Corey, Daniel Cauchy, Roger Duchesne</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">http://www.imdb.com/title/tt0047892/</span></div>
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<a href="http://4.bp.blogspot.com/-D9gpQTNtLF4/UaC37yi3gQI/AAAAAAAAGzQ/gtVgkLAjzdo/s1600/bob+o+jogador.2.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="244" src="http://4.bp.blogspot.com/-D9gpQTNtLF4/UaC37yi3gQI/AAAAAAAAGzQ/gtVgkLAjzdo/s320/bob+o+jogador.2.png" width="320" /></a></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">"Eu nasci com um ás na palma da minha mão."</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Um grande noir francês sobre gângsters, de Melville, considerado o precursor da Novelle Vague.</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Ambientado no bairro de Montmartre em Paris, o protagonista é o jogador Bob, um gângster de idade avançada com pinta de galã, sempre bem vestido em seu Cadillac de 2 cores, além de residir em um belo apartamento e receber da polícia e dos mais jovens respeito e admiração por sua posição e ser um daqueles caras a quem sempre tem alguém grato por seus favores, a não ser o cafetão Marc, ao que parece, seu único inimigo.</span></div>
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<a href="http://3.bp.blogspot.com/-PLVY9K5drLk/UaD8AU_Z-3I/AAAAAAAAGzg/uvlG4_rHumE/s1600/bob.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="229" src="http://3.bp.blogspot.com/-PLVY9K5drLk/UaD8AU_Z-3I/AAAAAAAAGzg/uvlG4_rHumE/s320/bob.jpg" width="320" /></a></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Bob é um jogador compulsivo, passando suas noites nos cassinos, acompanhando as corridas de cavalos, brincando com a sorte o azar. Sua vida porém passa por uma fase de perdas constantes, até descobrir sobre o local onde o Cassino Deauville guarda uma boa soma em dinheiro, planejando um assalto que poderá solucionar seus problemas financeiros, assim como, para um jogador obssessivo, significa uma última jogada de mestre.</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">O próximo passo é montar uma equipe e planejar o intento, trazendo de volta companheiros de crimes do passado.</span></div>
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<a href="http://4.bp.blogspot.com/-weBs84WjmV0/UaD8FgkkaVI/AAAAAAAAGzo/ww25jVNgeEI/s1600/Bob_le_flambeur_01.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://4.bp.blogspot.com/-weBs84WjmV0/UaD8FgkkaVI/AAAAAAAAGzo/ww25jVNgeEI/s1600/Bob_le_flambeur_01.jpg" /></a></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Este filme possui algumas peculiaridades muito interessantes, como por exemplo, tratar-se muito mais de um filme "masculino", com ênfase na amizade entre os mesmos e o comprometimento dessa relação. A opção da vida ilegal voltada para o crime é detalhe importante no filme e nos remete ao nascimento dos gângsters norte-americanos em meio à crise econômica, onde homens tomam as rédeas para si e fazem seus próprios negócios, violando as leis e passando a ser respeitados em meio à ma sociedade sem esperanças.</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Desta forma, Bob le Flambeur mostra um submundo de ladrões, cafetões, prostitutas e toda sorte de personagens que fizeram suas vidas à custa de vícios e negócios obscuros.</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">O papel feminino existe, mas algo mais coadjuvante, com Anne no papel da femme fatale e Suzanne, ambas inclusive cientes e de certa forma envolvidas na trama do assalto.</span></div>
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<a href="http://2.bp.blogspot.com/-Mc875EyiOZk/UaD8LsWSqUI/AAAAAAAAGzw/pTKw4rKIQLw/s1600/bob3.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="208" src="http://2.bp.blogspot.com/-Mc875EyiOZk/UaD8LsWSqUI/AAAAAAAAGzw/pTKw4rKIQLw/s320/bob3.jpg" width="320" /></a></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Melville conseguiu, em seu primeiro filme, de forma bela, leve e com um toque de humor irônico, conceber um clássico sobre gângsters, daí a grande influência gerada sobre diversos diretores da Vague francesa. Ele tinha um baixíssimo orçamento e valeu-se da filmagem com uma câmera de mão andando em uma bicicleta, daí não haver </span><span style="font-family: Arial, Helvetica, sans-serif;">ângulos de câmera extravagantes nem flashbacks, mas um realismo que capta o glamour exagerado e o mau gosto das noites </span><span style="font-family: Arial, Helvetica, sans-serif;">de Pigalle.</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Encontrei o filme para indicação abaixo no YouTube, na íntegra porém com legenda em espanhol. Espero que aproveitem.</span></div>
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Sandrixhttp://www.blogger.com/profile/09064579519755912416noreply@blogger.com0tag:blogger.com,1999:blog-4152722327327465729.post-76163748534017099842013-05-25T04:40:00.001-07:002013-05-25T04:40:27.130-07:00Cartazes Bob le Flambeur, 1956<div class="separator" style="clear: both; text-align: center;">
<a href="http://4.bp.blogspot.com/-lvvFp2Gk0S0/UaCi9mcM97I/AAAAAAAAGys/uP-zL4bPkwU/s1600/150_box_348x490.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="http://4.bp.blogspot.com/-lvvFp2Gk0S0/UaCi9mcM97I/AAAAAAAAGys/uP-zL4bPkwU/s400/150_box_348x490.jpg" width="283" /></a></div>
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<a href="http://3.bp.blogspot.com/-RZguR8t3jHo/UaCi9z6mhvI/AAAAAAAAGy0/C-Cx2P_SHT4/s1600/Bob_le_flambeur_Poster+2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="http://3.bp.blogspot.com/-RZguR8t3jHo/UaCi9z6mhvI/AAAAAAAAGy0/C-Cx2P_SHT4/s320/Bob_le_flambeur_Poster+2.jpg" width="241" /></a></div>
Sandrixhttp://www.blogger.com/profile/09064579519755912416noreply@blogger.com0tag:blogger.com,1999:blog-4152722327327465729.post-4263914432381958052013-05-13T14:10:00.001-07:002013-05-13T14:12:17.529-07:00#13Noir - Estética noir e sadomasoquismo<div class="separator" style="clear: both; text-align: center;">
<a href="http://2.bp.blogspot.com/-eCIxDfOpBLQ/UZFWpKkXNJI/AAAAAAAAGxE/hdyKu84JbLI/s1600/primeiro-video-da-serie-13noir-mostra-a-atriz-giovanna-ewbank-em-cenas-masoquistas-1368457498894_300x300.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://2.bp.blogspot.com/-eCIxDfOpBLQ/UZFWpKkXNJI/AAAAAAAAGxE/hdyKu84JbLI/s1600/primeiro-video-da-serie-13noir-mostra-a-atriz-giovanna-ewbank-em-cenas-masoquistas-1368457498894_300x300.png" /></a></div>
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<span style="background-color: white; color: #666666; font-family: Arial; font-size: 12px; line-height: 24px;">Primeiro vídeo da série "#13Noir" mostra a atriz Giovanna Ewbank em cenas masoquistas</span></div>
<span style="font-family: Arial, Helvetica, sans-serif;"><br /></span><span style="font-family: Arial, Helvetica, sans-serif;"><span style="background-color: white; color: #333333; line-height: 24px;">Projeto independente dirigido por Felipe Solari e Pedro Urizzi e com trilha sonora de </span></span><span style="background-color: white; color: #333333; font-family: Arial; font-size: 16px; line-height: 24px;">Lucas Lima</span><span style="background-color: white; color: #333333; font-family: Arial, Helvetica, sans-serif; line-height: 24px;">, #13Noir é o novo trabalho, com 13 curtas onde o primeiro foi </span><span style="background-color: white; color: #333333; font-family: Arial, Helvetica, sans-serif; line-height: 24px;">divulgado nesta segunda, 13 de maio</span><span style="background-color: white; color: #333333; font-family: Arial, Helvetica, sans-serif; line-height: 24px;">.</span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;"><br /></span><span style="font-family: Arial, Helvetica, sans-serif;">Fonte:</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">http://cinema.uol.com.br/noticias/redacao/2013/05/13/giovanna-ewbank-protagoniza-curta-sadomasoquista-na-serie-13noir.htm</span></div>
Sandrixhttp://www.blogger.com/profile/09064579519755912416noreply@blogger.com0tag:blogger.com,1999:blog-4152722327327465729.post-10952297307765222792013-04-29T05:17:00.004-07:002013-04-29T05:17:18.238-07:00Black Angel - 1946<span style="font-family: Arial, Helvetica, sans-serif;">Black Angel, 1946</span><br />
<span style="font-family: Arial, Helvetica, sans-serif;">81 min - USA</span><br />
<span style="font-family: Arial, Helvetica, sans-serif;">Crime | Noir | Mistério</span><br />
<span style="font-family: Arial, Helvetica, sans-serif;">Diretor: Roy William Neill</span><br />
<span style="font-family: Arial, Helvetica, sans-serif;">Estrelando: Dan Duryea, June Vincent, Peter Lorre</span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;">http://www.imdb.com/title/tt0038360/</span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;">Baseado no romance de Cornell Woolrich e o último filme dirigido por </span><span style="font-family: Arial, Helvetica, sans-serif;">Roy William Neill.</span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;">Sinopse: Kirk Bennett é condenado à morte injustamente por matar a chantagista Mavis Marlowe, ex-esposa do alcoólatra Martin Blair. Sua esposa Catherine Bennett tenta provar sua inocência, contando com a ajuda de Blair, que se apaixona por ela. A execução de Bennett se aproxima, ainda que o principal suspeito seja Marko (Peter Lorre), o proprietário de uma boate. A um passo da sentença ser concluída, Catherine e Blair seguirão por desvendar a verdade sobre o real assasino.</span>Sandrixhttp://www.blogger.com/profile/09064579519755912416noreply@blogger.com0tag:blogger.com,1999:blog-4152722327327465729.post-65881549270280146822013-04-29T05:00:00.004-07:002013-04-29T05:00:45.785-07:00Cartazes de Black Angel - 1946<div class="separator" style="clear: both; text-align: center;">
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<a href="http://3.bp.blogspot.com/-0QwD6F2RqMI/UX5glzhW_8I/AAAAAAAAGuY/auaFHpBp5X8/s1600/poster248.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="http://3.bp.blogspot.com/-0QwD6F2RqMI/UX5glzhW_8I/AAAAAAAAGuY/auaFHpBp5X8/s400/poster248.jpg" width="253" /></a></div>
<br />Sandrixhttp://www.blogger.com/profile/09064579519755912416noreply@blogger.com0tag:blogger.com,1999:blog-4152722327327465729.post-29400541129700576832013-04-28T13:13:00.002-07:002013-04-28T13:13:19.286-07:00The Alfred Hitchcock Hour: "An Unlocked Window" (1965)<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">The Alfred Hitchcock Hour: "An Unlocked Window" - 1965 </span><br />
<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">60 min - USA </span><br />
<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Crime | Drama | Mistério </span><br />
<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Diretor: Joseph N. Newman </span><br />
<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Estrelando: Alfred Hitchcock, Dana Wynter, T.C. Jones </span><br />
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<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Sinopse: "<span class="Apple-style-span" style="line-height: 18px;">Um serial killer está nas redondezas onde alguns enfermeiros privados se trancaram em uma casa grande, com exceção de uma janela do porão.</span></span><br />
<span class="Apple-style-span" style="line-height: 18px;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Um terceiro assassinato nas últimas duas semanas é relatado na televisão, e a polícia dizem haver um louco psicopata à solta, atacando enfermeiros. Numa noite de tempestade escura, a enfermeira Stella Crosson (Dana Wynter) e a enfermeira Betty Ames (TC Jones) estão cuidando de um homem com um problema no coração que reside em uma mansão arrepiante fora da cidade e precisa de atenção constante. Um telefonema do assassino informa as mulheres que ele sabe que estão sozinhos, e tem a intenção de fazer uma visita antes que a noite acabe. Verificando se todas as portas e janelas estão trancadas, Stella descobre que ela dava para um janela do porão, um erro que pode revelar-se muito caro."</span></span><br />
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<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Fonte imdb: http://www.imdb.com/title/tt0394099/ </span><br />
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<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Pelo que estive pesquisando, após 3 décadas dirigindo filmes, Hitchcock passou a apresentar na TV uma série intitulada <b><i>Alfred Hitchcock Presents</i></b>, considerada pela Times um dos "100 melhores programas de TV de todos os tempos". <span class="Apple-style-span" style="font-size: x-small;">(fonte: http://en.wikipedia.org/wiki/Alfred_Hitchcock_Presents)</span></span><br />
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<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">An Unlocked Window, episódio sobre um assassino de enfermeiras, deu ao escritor James Bridges o prêmio Edgar em 1966. Aproveitem para conhecer este instigante thriller.</span><br />
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<iframe allowfullscreen="" frameborder="0" height="480" src="http://www.youtube.com/embed/W7P-Psa8r8U" width="640"></iframe>Sandrixhttp://www.blogger.com/profile/09064579519755912416noreply@blogger.com0tag:blogger.com,1999:blog-4152722327327465729.post-28753232869190652172013-04-21T13:08:00.001-07:002013-04-21T13:10:43.953-07:00Cold Brewed<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Interessante trabalho com texto de Lance Schaubert e fotografia de Mark Neuenschwander de um noir sobre café, dividido em episódios que são apresentados gradativamente no site</span><br />
<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">http://cold-brewed.com/</span><br />
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<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Bela fotografia unida ao texto, ao mesmo tempo divertido e instigante. </span></div>
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<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">No site já se encontra disponível o 1º e 2º episódios, e uma sequência de chamadas informando ao visitante o que está por vir.</span></div>
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<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Indicado por https://www.facebook.com/filmnoirfoundation?hc_location=stream</span>Sandrixhttp://www.blogger.com/profile/09064579519755912416noreply@blogger.com0tag:blogger.com,1999:blog-4152722327327465729.post-7152829099740402912013-04-07T15:11:00.002-07:002013-04-07T15:15:12.487-07:00Moonrise - 1948<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Moonrise - 1948</span><br />
<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">90 min - USA</span><br />
<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Drama | Filme Noir</span><br />
<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Diretor: Frank Borzage</span><br />
<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Estrelando: Dane Clark, Gail Russel, Ethel Barrymore</span><br />
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<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">http://www.imdb.com/title/tt0040607/</span><br />
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<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Apesar de transitar entre o romântico e o noir, Moonrise revela um ambiente atormentado desde o início, onde com notável habilidade e por meio de sombras, um enforcamento apresenta-se na primeira cena do filme, sendo o acontecimento que levará nosso protagonista, </span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 2px; -webkit-border-vertical-spacing: 2px; color: #222222;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">D</span></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 2px; -webkit-border-vertical-spacing: 2px;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">anny Hawkins</span></span><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">, a amargar desde muito cedo as perseguições dos colegas e o trauma da morte de seu pai, que cometera o crime contra o médico que neligenciara a vida de sua esposa e mãe de Hawkins, levando-a à morte.</span><br />
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<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Hawkins parece ter o dom em atrair problemas a seus dias, sempre brigando e tomando para si o que deseja sem muita amabilidade. Durante uma noite em um baile, acaba acidentalmente matando um rapaz após uma briga - um jovem de posses na cidade que outrora participou das perseguições infantis contra Danny, fato que em sua ira virá à lembrança -, fugindo da situação com medo de assumir a culpa, mas que o acompanhará em sua mente sem trégua, gerando outros acidentes para si e quem o acompanha, como a bela Gilly Johnson, seu grande amor.</span><br />
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<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">A culpa incessante na mente de Danny reside na dúvida constante quanto a natureza ruim supostamente herdada de seu pai como um criminoso, o que o levará ainda a questionar seu merecimento do amor de Gilly.</span></div>
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<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">E lá vamos nós à perseguição em busca do misterioso assassino do rapaz rico em uma noite chuvosa, em meio à angústia de Danny em ver-se diante de sua culpa revelada. </span><br />
<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Seus delírios e pânico crescentes quanto a ser perseguido são tamanhos ao ponto de cometer loucuras, como saltar da montanha-russa ao ver-se próximo do xerife da cidade.</span><br />
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<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Desespero, paranóia e a certeza constante de não haver redenção não só pelo crime cometido mas ainda pela "maldição" a que se entende perseguido pelo passado de seu pai, são companhias constantes nos passos de nosso protagonista em meio a diálogos e questionamentos filosóficos, num clima dramático intensificado pelos alto-contrastes na fotografia assinada por John L. Russell.</span><br />
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<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Somente após uma longa conversa com sua avó, Danny entende os atos do pai e vislumbra alguma luz no fim do túnel, dando novos rumos a seus atos.</span><br />
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<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Eu diria que nos últimos tempos, é um dos mais bem construídos e interessantes filmes que assisti. Os elementos noir são representados pelo crime e a paranóia em meio à fotografia alto-contrastada, e a tortura incessante do protagonista na brilhante atuação de </span><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Dane Clark criam um clima tenso e instigante do início ao fim, desta vez com final nada dramático ou fatal.</span><br />
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<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Consegui uma boa cópia apenas via Torrent, e aconselho o caminho devido ao não acesso via locadoras ou reproduções pela internet.</span>Sandrixhttp://www.blogger.com/profile/09064579519755912416noreply@blogger.com0tag:blogger.com,1999:blog-4152722327327465729.post-15777791894288572002013-04-06T07:43:00.000-07:002013-04-06T07:43:09.020-07:00Cartazes de Moonrise - 1948<div class="separator" style="clear: both; text-align: center;">
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